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a – Welcome to Guitar Lessons Ithaca!

aaa – Making Referrals to Guitar Lessons Ithaca

Arpeggios with continuous 8th note exercise

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Articles Published by Dennis Winge

Basic Musicianship Skills for Guitarists

Blues, part 6, Five (5) Levels of the Blues

Bonus: Just Being at the Guitar

Bonus: Make It Stick – the fastest ways to learn

Bonus: Mindset by Carol Dweck

Bonus: The Creative Habit by Twyla Tharp

Bonus: The Creative Act by Rick Rubin

Chart Reading Symbols / How to Make Chord Chart

Chord Switching, how to play along with your favorite songs

Chord-Melody, Art of Solo Guitar

chords, 5 basic chord types

Chords, 9, 11, 13 voicings

Chords, diminished & half-diminished chord workout

Chords, Latin Play-Alongs (Salsa Grooves)

Chords, Playing Harmonizing Scales

Chords, Ultimate Guide to Voicings for More Advanced Chords

Chords, Voicings, Jam Tracks, part 6, JOTC tracks

Chords, Voicings, Jam Tracks, part 7, JOTC tracks

Colwyn’s personal files

Commuter Audio: Master List

Feeling the 3 against 2 Polyrhythm

Feeling the 4 against 3 Polyrhythm

For Music Geeks Only

Fretboard Theory, Arpeggios, 7th chords

Jam Tracks, JTC JOTM

Jazz Analyzing Tunes – Harmony

Jazz Analyzing Tunes – Melody

Jazz Arpeggios

Jazz comping

Jazz Guide Tones

Jazz practice exercises

Jazz, 20 jazz licks

Jazz, bebop licks

Jazz, Building a Repertoire

Jazz, Chord Voicings

Jazz, Chord Voicings, Juris modern chords

Jazz, Chords, Barry Harris Harmonization

Jazz, common endings

Jazz, Common Non-diatonic Harmonic Movements

Jazz, Developing Awareness of Form

Jazz, having a go-to chord voicing for every melody note

Jazz, Melodic Soloing

Jazz, Memorizing Tunes

jazz, Mike Longo’s Rhythmic Nature of Jazz

jazz, quartal harmony

Jazz, Rhythm

Jazz, Voice Leading

Jazz, Voice Leading, part 2, Goodrick cycles

Melodic Minor: scale, modes, uses

Modes, part 11, modes and arpeggios

Modes, part 13, I IV V chords in each mode

Music Theory, Harmony – origins of rock and roll (analyzing and playing “Drivin’ Nails in My Coffin”)

Music Theory, How Melody and Harmony Interact, part 1 & 2

Music Theory, II V I progressions

Music Theory, Modern Harmony Simplified

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Participating in Student Concert / Recital

Reading, Hal Leonard

Reading, Mel Bay original book 1

Rhythm, 12 Claves, Afro Cuban

Rhythm, African 6/8

Rhythm, clave, from Mark Levine book, Afro Cuban

Rhythm, Encyclopedia of Reading Rhythms by Gary Hess

Rhythm, Feeling the Afro-Cuban 6/8 Clave on Guitar

Rhythm, Feeling the Afro-Cuban 6/8 Clave on Guitar, part 2

Rhythm, How to Feel Half-Note Triplets

Rhythm, How to Feel Quarter-Note Triplets

Rhythm, Latin musical styles

Rhythm, map – all groupings

Rhythm, map – part 1, 8th notes, groupings of 2, 4, 8

Rhythm, map – part 2, 16th notes

Rhythm, map – part 3, triplets, groupings of 3, 6, 12

Rhythm, Playing Rhythmically

Rhythm, straight vs. swing feel, part 1

Rhythm, syncopation, Afro Cuban Mozambique patterns

Rhythm, syncopation, Afro-Cuban bell patterns

Rhythm, versatility, part 1, intro to

Rhythm, versatility, part 2, workout

Rhythm, versatility, part 3, table of time

Rhythm, versatility, part 4, more advanced table of time

Soloing, Contour Shifts

Soloing, Counterpoint

Soloing, Embellishments to the Pentatonics, Slides

Soloing, Ghost Chord Soloing

Soloing, How to Build a Solo

Soloing, How to Really Practice using the CAGED system

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Soloing, Hybrid Picking, part 2, live class

Soloing, intro to syncopation

Soloing, major scales, 3 notes per string

Soloing, Overview of Scales & Tools Needed for Good Soloing

Soloing, Phrasing, introduction

Soloing, Phrasing, phrase congruency

Soloing, Sequences, part 1

Soloing, Sequences, part 2

14 mistakes amateur jazz musicians make

Solos Aside: 15 Common Mistakes Amateur Jazz Musicians Make

Jazz is an intricate and dynamic art form, celebrated for its spontaneity, creativity, and interplay between musicians. While improvisation often takes the spotlight, mastering jazz involves much more than crafting compelling solos. Being a good jazz musician means developing a wide range of skills that support the music, ensure smooth collaboration, and elevate the overall experience for both the performers and the audience. Below is a comprehensive exploration of the essential skills—beyond improvisation—that every jazz musician should strive to master.


1. Mastering Intros and Endings

Neglecting intros and endings can lead to disjointed performances. Strong, spontaneous introductions set the tone, while memorable conclusions leave the audience captivated. Beyond crafting your own, the ability to recognize and follow a bandmate’s cues for intros or endings is critical.

Pro Tip: Listen to classic jazz recordings and note how the musicians set up and conclude their tunes. Practice mimicking these in rehearsal or live settings to develop spontaneity.


2. Reading Non-Verbal Cues

Jazz thrives on non-verbal communication. Whether it’s a subtle nod, a glance, or a musical signal, recognizing and responding to these cues is essential for seamless transitions. Missing these moments can disrupt the group’s dynamic.

Pro Tip: During rehearsals, focus on maintaining eye contact and actively listening to your bandmates. Pay attention to their phrasing and gestures, and practice anticipating transitions.


3. Maintaining Tempo

A steady tempo is the backbone of any jazz performance. Inconsistent tempo—rushing during up-tempo passages or dragging during ballads—can ruin the groove. Equally important is having a wide tempo range; amateurs often avoid very slow or very fast tempos, limiting their versatility.

Pro Tip: Use a metronome during practice, experimenting with slow ballads and blisteringly fast bebop tempos. Play along with recordings to internalize different tempo feels.


4. Following the Form

Losing track of the form is a common mistake that disrupts the flow of a piece. In jazz, staying aligned with the form ensures that the entire ensemble is on the same page, especially during solos or complex arrangements.

Pro Tip: Practice following along with recordings using sheet music. Mark key points in the form, like where solos start and end, until you can navigate it instinctively.


5. Effective Verbal Communication

Clear communication offstage is as crucial as musical interaction onstage. Misunderstandings about the tune, key, or feel can lead to disjointed performances. Moreover, listening to others without interrupting fosters better collaboration.

Pro Tip: Practice announcing tunes succinctly and clearly during rehearsals. Cultivate active listening skills by fully engaging with what others are saying, both on and off the bandstand.


6. Adhering to Jazz Etiquette

Good etiquette in jazz jams and performances shows professionalism and respect for others. Taking multiple solos, playing too loudly, or ignoring the vibe of the group can alienate fellow musicians.

Pro Tip: Follow the unwritten rules of jazz jams, such as taking turns for solos and being mindful of dynamics. Observe experienced players to learn the nuances of jam etiquette.


7. Memorizing Tunes

Relying heavily on sheet music hinders freedom and connection with the ensemble. Memorizing melodies and chord changes allows you to focus on the music and interact more dynamically with other players.

Pro Tip: Start by memorizing 10 standards completely, including melody and harmony. Once you build this foundation, memorizing additional tunes becomes progressively easier.


8. Stylistic Versatility

Beyond swing and bossa nova, jazz standards can be played in a wide range of rhythmic styles, from slow 12/8 grooves to Afro-Cuban 6/8, Middle Eastern, Indian, odd meters, and funk rhythms.

Pro Tip: Experiment with arranging standards in different styles, such as straight-8th grooves, world rhythms, and odd meters.


9. Ability to Transpose

Reliance on tools like iReal Pro for transposition can slow you down in live settings. Being able to transpose on the fly is a vital skill for adapting to singers or changing keys during jams.

Pro Tip: Practice transposing familiar standards into all 12 keys. Focus on understanding the structure of the tune so you can adapt quickly without relying on technology.


10. Aural Skills

The ability to hear and adapt to reharmonizations or changes in real-time is a hallmark of great jazz musicianship. Without strong aural skills, you risk feeling disconnected from the ensemble’s creative flow.

Pro Tip: Play along with recordings and attempt to match reharmonizations and phrasing by ear. Ear-training exercises, such as interval recognition and identifying chord progressions, will sharpen your listening abilities.


11. Rhythmic Versatility

Marking the downbeat too often, especially during drum solos, can make your playing feel rigid. Exploring offbeat rhythms and syncopation adds depth and interest to your performance.

Pro Tip: Practice rhythmic independence by playing syncopated patterns against a steady beat. Experiment with polyrhythms and other advanced techniques to build rhythmic complexity.


12. Sight-Reading

Being able to sight-read melodies and changes is critical for performing unfamiliar tunes on the spot. Weak reading skills limit your ability to adapt quickly during jams or gigs.

Pro Tip: Dedicate part of your practice to sight-reading unfamiliar charts. Gradually increase the complexity of the pieces to improve your fluency.


13. Expressing Emotion

Technical mastery means little without emotional expression. Jazz is about storytelling and connecting with the audience on a deeper level.

Pro Tip: Reflect on the meaning of each piece and what you want to convey through your performance. Record yourself and listen critically—does your playing move you emotionally?


14. Knowing When to Lay Out

Amateurs often feel the need to play on every tune, which can clutter the sound and stifle group dynamics. Knowing when to step back adds contrast and allows the music to breathe.

Pro Tip: Resist the urge to play on every tune. Instead, focus on contributing meaningfully where your part enhances the music.


15. Mastering Dynamics

Ignoring dynamics leads to monotonous performances. Varying your volume and intensity adds drama and nuance, creating a more engaging experience.

Pro Tip: Practice crescendos and decrescendos in your solos. Record your playing to identify areas where dynamic contrast can enhance the musicality.


Conclusion

Mastering jazz is about more than just soloing—it’s about creating a cohesive, collaborative, and emotionally compelling performance. By addressing these common pitfalls and integrating the pro tips into your practice routine, you’ll not only improve your musicianship but also contribute to the vibrant, ever-evolving world of jazz. So, step up to the challenge and embrace the richness of this incredible genre!

Set up a free trial lesson, available both online and in-person. Just fill out this form and we’ll get back to you within 24 hours. 

Songwriting, Part 18, using chromatics for harmony & melody

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Songwriting, Part 19, integrating elements

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Strumming, part 10, more syncopation with Partido Alto groove

Strumming, part 12, Brazilian / bossa nova strumming patterns

Strumming, part 3, other time signatures and feels

Strumming, part 5, strumming syncopation – specific songs

Student 2-year Anniversary Message

Student 7-month Anniversary Message

Student 90-day Anniversary Message

Student Goal-Setting Resources

Student Repertoire – Book 3

Student Repertoire – Book 4

Student Repertoire – Book 5

Student Repertoire – Holidays

Technique, Sweep Picking, part 1

Technique, Tip and Roll

Theory, Developing Awareness of Form

Training, Practice Tracker

Training, Ultimate Guide to Practicing Efficiently

Why Group Classes Are Better Than Private Lessons